The Ferrari 250 GTO is a GT car produced by Ferrari from 1962 to 1964 for homologation into the FIA’s Group 3 Grand Touring Car category. It was powered by Ferrari’s Tipo 168/62 Colombo V12 engine.
The „250” in its name denotes the displacement in cubic centimeters of each of its cylinders; „GTO” stands for Gran Turismo Omologato, Italian for „Grand Touring Homologated.”
Just 36 of the 250 GTOs were manufactured between 1962 and 1964. This includes 33 cars with 1962-63 bodywork (Series I) and three with 1964 (Series II) bodywork similar to the Ferrari 250 LM. Four of the older 1962-1963 (Series I) cars were updated in 1964 with Series II bodies.
When new, the 250 GTO cost $18,000 in the United States, with buyers personally approved by Enzo Ferrari and his dealer for North America, Luigi Chinetti. This model has since become highly desired by automobile collectors and sales have repeatedly set price records. The current record for world’s most expensive Ferrari was set in June 2018 when a 1963 250 GTO (chassis 4153GT) was sold in a private sale for $70 million.
In 2004, Sports Car International placed the 250 GTO eighth on a list of Top Sports Cars of the 1960s, and nominated it the top sports car of all time. Similarly, Motor Trend Classic placed the 250 GTO first on a list of the „Greatest Ferraris of All Time.” Popular Mechanics named it the „Hottest Car of All Time.”
© Designed by Michał Zagórski
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Wielkość i papier
Plakat w formacie A2.
- pion – 42 x 59,4 cm / 16,54” x 27,83”
- poziom – 59,4 x 42 cm / 27,83” x 16,54”
Artistic photo paper with high durability, matte Satin paper IMPRIME Premium SM 200 Bright Weight 200 gsm.
- weight – 250 gram / 0,44 lb
- shine – błyszczący
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Quality without compromise
The applied printing technology and materials ensure the best quality of the poster. Using the new L-COA PRO image processing system, the printouts have the right balance and the right composition of inks, as well as precisely applied ink on the paper. The advantage of the used inks and papers is the exceptional durability of colors guaranteeing its unchangeability for many years.
Fading inks and yellowing of paper in traditional printing.
Thanks to the LUCIA PRO 12 ink system, the images will be accurately reproduced on the printouts. Printing posters on a plotter designed for printing photos in the highest quality allows to achieve better colors with a wider range and greater detail than before. Black is really black, and even the darkest fragments of graphics or photos have clear details.
Canon's Chroma Optimizer ink technology makes it easy to achieve even gloss when printing on glossy paper. Chroma Optimizer ink is used on the printed image, thanks to which it adjusts the way the light reflects the surface and provides a natural reproduction of colors on the final printout. Thanks to this, we obtain images with intense black.
Fine Art (Giclée) printing
There are several elements that distinguish Fine Art printing from traditionally printed posters, apart from a visible difference in quality.
The difference between Fine Art and traditional printing
One of the most principal features is a pigment ink, produced on the resin base. It contains solid particles, thanks to which the prints are much more resistant to fading - that means more durable. All posters in kufer.pl are printed with 12 original inks (11 colors + additional glossy one) which allow meeting the high ISO / IEC 29103 standard.
An important issue for print durability is the use of acid-free papers with a neutral pH (between 7.5 and 10) with an additional alkaline buffer. Such a buffer reduces the destructive influence of acid substances from the environment. This gives an additional guarantee of quality and durability for dozens of years.
The final issue is the quality of the print itself. Drops with a volume of 4 µl are invisible to the naked eye. The print resolution of 2400x1200dpi allows creating printouts that do not differ from photo prints. One can even risk a statement, that graphics with such magnifications they are better - because the grain is not visible - than typical enlargements of analog photos.
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photo: Przemysław Marczyński
The poster is delivered without a frame. The printout is secured in parchment, then rolled on a cardboard roll. We additionally secure it with ecological paper. Then we put a silicone bag inside (attention - it must not be allowed to play by children and animals) to maintain adequate humidity. The poster prepared in this way is put into a cardboard tube. We fill the free spaces with a bubble wrap. Everything is packed into another carton and secured with foil and tape.Find out more about how we secure your shipment.
We guarantee satisfaction with the printed poster. It is possible to return the poster within 14 days from receiving the parcel. We reimburse the entire amount for the poster and the cost of the cheapest shipping (if you chose a more expensive version, unfortunately you will not receive a full refund for the transport).
We also do not refund the costs of personalizing the poster and special services, except when the poster has arrived damaged.
All shipments are 100% insured, any damage should be reported to the company delivering the package on the appropriate forms. After submitting and accepting the complaint, we immediately prepare an identical duplicate and send it again.